Flesh of the Earth is a series of paintings that examine the porous boundary between the human imagination and the natural world. Drawing on symbolism, memory, and organic forms, the works position the figure as both subject and terrain—marked by place, time, and quiet resilience.

This collaboration showcases Fiorvanti’s capabilities in brand-driven visual storytelling, remixing imagery, and executing large-scale multimedia paintings and prints for public installation.

Employing oil painting and printmaking, this series examines Western frameworks of nostalgia, identity, and memory, interrogating the visual languages that construct personal and collective histories.

Dustin (Mogley) Moore's story in the short film "MOGLEY: Our Jungle Book Story" is a very personal and poetic reflection on the struggle for life in rural Virginia amidst the opioid epidemic. 

“Brain,” a song from the Uphill Both Ways album produced by No Evil Star Records, was written and recorded by So Fare Films’ CEO Jenn Lindsay in 2006. In 2023, Fiorvanti had the opportunity to write, direct and edit its music video.

This wearable sculpture critically examines the impact of the American war on drugs, foregrounding the vulnerability of the human body within systems of policy and punishment. Conceived as a memorial to Kristin’s brother, it reframes public crisis through the lens of personal grief.

This 2-minute, hand-drawn animation made its debut in VCUarts The Anderson's Y2K Video Exhibition in October 2021. The story later inspired collaboration with VCU's Afghan Student Organization to raise funds for Save The Children Afghanistan.

In this performative social experiment, autonomy and meaning is challenged, sparking philosophical and technological discourse on the role of the artist in an increasingly independent society.

Inspired by the imagery throughout Elizabeth Rush's RISING: Dispatches from the New American Shore, this series was submitted to VCU Library's Imagining Climate Futures contest in the summer of 2021 as a creative pedestal of informed protest.

This collection of work is defined by an introduction to atmospherical painting using the sfumato technique made popular by painters of the Italian Renaissance.